sketching where I've never been

On Saturday I took a short "travel sketching" class at the local museum. Tips and pointers for what to take, what to look for, ways to capture the scene.

Then the teacher showed us slides from her various trips and gave us 2 to 5 min. limits for capturing the view.


These are two I did from her shots in Venice. We also drew people on a Maine beach, scenes from Hawaii, and boats of all sizes.

I drew in a 5.5 x 4 sketchbook with a .7 mm Staedtler. Practicing for a summer trip to England!

spring skies

Those flying things may be approaching black flies, the horrible accompaniment to long-awaited spring in New England.

I'm watching Art City 1, 2 and 3, from Netflix--documentary/interviews of current artists working all around the US. It's inspiring as I doodle, to hear and see artists creating and talking about their work.

doodling

A wet sketch deposited smudges on this page. I liked the shape, so added some ink.

Dark images from the backside showed through the scan. So I cut around the shape and used the digital paintbucket to pick up and add some pale green as filler for the rectangle. The pink is actually showing through from red paint on the reverse side.

Process described so you don't think any of this was (gasp) planned.

W/c and ink on Superaquabee deluxe.

longing for summer warmth

On Monday the high was still only in the 20s, with a chill wind. So a glowing orange square is a joy to create. These colors are like the glowing fire in my woodstove.

Where's spring? It even snowed a teeny bit on Sunday!

W/c on Aquabee.

seeing what emerges

Ignore the bad bird anatomy. I painted a background, then saw these shapes. I only darkened the smaller bird's form and that weird big wing.

W/c and pencil on Aquabee Superdeluxe.

brush marks

A full page of brush marks, enlarged, cropped, enlarged, cropped again.

Digital zoom makes a page of idle marks more interesting.

W/c on Aquabee.

mere mark making

I love this term markmaking that artists use. It legitimizes random play that sometime crops to a piece I like.

Watercolor smears and Tom Bow marker on Super Aquabee Deluxe.

more blue green

The cat is real. Her surroundings are color, shape and texture play.

W/c on 90# Strathmore.

cool oils

A palette knife in the hand of a beginner: erratic, unpredictable, and great for color play.

On gessoed paper. I'm not ready to commit to board or canvas yet.

bear back

An angle of the model you've not seen.

W/c on 11x14 paper, so this is a center scan of the larger piece. You're not missing anything.

knifed profile

I don't think oils will pull me away from the spontaneity and flow of watercolors, but the intense hues (not here, but in yesterday's post) are hypnotic.

On gessoed paper.

color blocks

Playing with oils with a palette knife shows me what all the oil painters have been talking about. It's like spreading frosting.

Glorious and messy fun.

I cropped and scaled up a top edge block to show the strokes more clearly. Via Gimp on my computer, the closeups of the original scan are fascinating.

On gessoed 90# paper.

practicing the knife

I make colorful grounds, then try to put something distinctive on top. Palette knife practice with black oil paint is one new exercise.

w/c on 90# paper, then oil.

pre-literate

Abstracts, blocks, random play. After I scanned it, Stonehenge came to mind.

W/c and colored pencil on 90# paper.