The emerging year

This guy represents the events and activities of 2005. He formed and grew like a stalagmite, adding layers of learning. Now he's looking around the corner at 2006.

I'm looking with him. And we're going traveling, visiting relatives who aren't (gasp!) on the web. I'll be drawing, chatting, knitting, and looking forward to all the EDM group's art that awaits our return.

Process: colored inks stamped onto Moleskine sketchpaper, tech pen drawing, watercolor added.

Abstract time

At regular intervals it relaxes my right brain to do an abstract, though in this case a sort of landscape emerged.

W/c on 90# paper.

People practice

When I don't have a specific thing to draw, I draw imaginary things, and a LOT of imaginary people.

This is last night's visitor. I named her Sheila. She seems to have terrible jaundice and eyebrows like a lot of my Santas.

Process: I've started keeping a little palette of Yarka w/c open by my favorite family room chair. They're super soft and always available for a quick wash over the tech pen. On lightweight drawing paper.

scribbled dove

After all the painting and shaping, time to relax with flat shapes. Filled in with a Pilot PreciseGrip bold gel pen in a Moleskine. It slides really smoo-oth.

Sleeping cats

Rarely I can catch the cat's position fast enough before s/he moves. Drawing directly with paint is working better for me as long as I ignore fur markings and go for a mere suggestion of the shadows.

This cat is mostly gray, so fur markings don't confuse me, but I dipped into brown for this sleeping moment.

Process: w/c on Paperblanks (super white) blank journal paper.


With pencil and my tiger cat, it's easy to get confused between contour lines and fur markings. This time his position lasted just long enough to get some obvious ones down.

Pencil on very smooth paper in a top-spiralbound book. I haven't a clue who the manufacturer is, but I love the paper for dry media.

Just one more Santa

In spite of being urged to do more, including my favorite smashed can Santa (a very rare and irreplaceable collectable), this is the last Santa drawing for this year, as Christmas is over.

This ornament is a sand dollar, whose very faint shell shadowings are difficult to indicate. Same process, and now I move on.

More Santas

A tiny wooden Santa mug and a flat-heart Santa.

Same process as the last three. Dipped pencil (lead only) is almost like paint in small spaces. It's working smoothly for me now.

Long-bearded Santas

Between the big hat and the big beard, there's not a lot of space to show personality.

Tech pen, colored pencil on Moleskine sketchpaper.

Santa star

I have a small ornament collection of Santa faces. It's time to draw them before they go back into the attic for their long hibernation.

Process: water-dipped pencil and washed pencil for color on a frame of tech pen.

I could have planned differently, doing this in a small Moleskine, but now I kind of like the seam there. Adds flavor.

Colorful cat

A quick painting before he moved, so accurate color was the least of my concerns. Impressionistic, for sure!

W/c in a Robert Bateman sketchbook, new for me. Nice paper for light water.

Dipped pencils

Using w/c pencils dipped in water has never been successful for me. In this case, I had a long sharpened point and stroked it on the side. The water carried by the wood section erratically dissolved the pigment. This random spiral shows the texture that emerges.

Prismacolor pencils on Aquabee sketchpaper. I'm waiting for my Palomino w/c pencils to arrive and I'll see the difference.

Seasonal celebration

I designed a Christmas card for the first time in years, choosing Light as the one element that all spiritual people include in their practice. May the solstice bring us longer days and the holidays bring us joy and shared caring.

W/c on Strathmore cards.

Imagine #1

Imagined (wo?)man imagining that face on the moon. First experiment with oil pastels in a Moleskine sketchbook.

Imagine #2

A second profile and it turned out to be a woman. Funny how the slightest difference to features makes a gender implication.

Nu-pastels in a Moleskine sketchbook. I prefer the oily ones to the chalky ones.

Playing with faces

Practicing faces. The top 3 are imagined, the bottom 2 are real, my cat Chaucer and my friend Crystal.










Ink, pencil or w/c, in a random collection of sketchbooks.

I have 6 going at once, all different papers.

Unplanned, unexpected, unworried

There's a joy in swirling color and letting forms emerge that surpasses all more restrictive attempts at representation or intent for the image.

It's my favorite painting exercise, in spite of unpredictable results.

One has to be willing to accept disappointment (what?! waste the time, paper and paint?!)
in order to give Surprise a door to come in.

Daniel Smith w/c on 90# paper.

Babyface

I've been practicing imagined faces, working with fast sketches and loose washes using water-soluble pen. This is no one's baby (aren't you glad?), just a generic infant face.

Random pen and #12 brush with water on 90# paper.

Lokta birds

After the inked birds showed up in my Moleskine, this flock appeared in another journal. I am exploring this new (to me) paper--lokta, handmade in India.

Part of the blueish shadowing comes from oil pastels on the backside.

I like the color, the eggshell-like finish, and the deckled edge. It takes light water without soaking through too much. I also spread thinned Golden Absorbent Ground on it for a whiter background experiment that created interest w/c effects.

I found these lokta journals online at Ollie's Paper. Lovely stuff!

PS: I found this paper description on their website. (I have no personal ties to this seller.)

Graeham Owens' Lokta paper is made in rural, mountainous villages with no electricity. The paper has to travel for 5 days and 5 nights, on the backs of donkeys, to reach the nearest passable road. From this point it travels to Kathmandu, where the finished products are made.

This paper is acid-free and tree-free (the lokta bush completely regenerates after harvesting). It is made today just as it was a thousand years ago. It is pure, rustic, long-fibered, strong, and beautiful. It is, perhaps, the most perfect paper on earth.

EDM challenge #44--an animal

I've just started painting with inks. This started out as ink blobs pressed between 2 pages of a Moleskine sketchbook. Then I saw birds in one side and drew them in. The other half of the experiment awaits development.

I love the intense color of ink, but am wary of disastrous spilling.

Just color

After doing just pencil, I had to go back to pure color. Gardener had asked me for an abstract, and this came out. Don't know if it's inspired by wrapped gifts or a cross or an intersection from the air.

W/C pencil on Aquabee Super Deluxe.

Pencil, new and unsmudged

Finding the old carafe drawing briefly sent me back to do something with pencil. A little silk bag on a pocket Moleskine. I'm restraining myself from adding color.

Palomino pencils, HB and 2B, on Strathmore drawing paper.

Old reflections

Going through old art supplies, sometimes I find a few drawings in sketchbooks bought long ago. That paper is so much thicker than what we buy now for three times the price!

This is smudgy and picked up graphite from the facing drawing, but it's evidence I drew a little way back in 1979. I had time to draw when we lived for three months in New Mexico on (husband's) special job assignment.

I had long hair then, and I still have this carafe.