InkTracks

I'm liking the charcoal pencil for tonal darkness, used without any blending. The sharp point creates a good line with no shine. On ...

The mask in w/c pencil. In a Stillman & Birn 100# Beta (I think) journal.

Trying out Cathy Johnson's recommended triad of quin burnt scarlet, indigo, and quin gold. On Arches 140# w/c paper.

Closer to the model's real look, and he wasn't even trying to hold still! Charcoal pencil on Strathmore drawing paper.

He stayed there long enough for me to catch the (in)action. Pitt brush pen, the pale gray and pale brown ones, in the Paper Blanks journ...

I paused the interview portion of "An Afternoon with Nancy" video to draw Richard giving her a flower. Tom Bow brush pen in th...

I paused a Netflix video to catch this curly-haired man in a Mrs. Bradley Mysteries episode. Which apparently is the only one they ever ...

To use up the pink gel ink in my colorchanging pen, I copied the scene from the Paris World Music CD. In the Paper Blanks journal.

Penned cat and charcoaled man. In the Paper Blanks journal.

Pen, in the Paper Blanks journal.

Fortunately, I'm not at the mechanic's often, but I wonder if anyone really eats these. Pencil on 70# Strathmore drawing paper.

At least the chairs are really comfortable. Pencil on 70# Strathmore drawing paper.

Charcoal pencil (black and white) on Strathmore pastel paper.

The safe-for-work portion of last Friday's workshop session. Charcoal pencil on mi-tients paper.